Factory wholesale price for Siway MG PU FOAM to Costa rica Manufacturers
Short Description:
Description MG PU FOAM is the expansion, moisture curing, has the strong cohesiveness, elastic foam obturator structure; Save work to save time, reduce waste; High bond strength; Bubble can stick in the concrete, wood, metal, plastic, such as base material surface, but not including teflon, silicon resins; Key Features 1. Noise silencing effect 2. Strong bonding strength 3. Water & weatherproof 4. Primerless adhesion to most building materials Basic Application 1.Doors and Windows and...
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Description
MG PU FOAM is the expansion, moisture curing, has the strong cohesiveness, elastic foam obturator structure; Save work to save time, reduce waste; High bond strength;
Bubble can stick in the concrete, wood, metal, plastic, such as base material surface, but not including teflon, silicon resins;
Key Features
1. Noise silencing effect
2. Strong bonding strength
3. Water & weatherproof
4. Primerless adhesion to most building materials
Basic Application
1.Doors and Windows and wall body between the gap filling sealing, fixed bond
2.Language lab, studio, etc when decorating, gap to fill
Technical data sheet
Project |
Value |
||
Density, Kg/m³,Not less |
10 |
||
Thermal conductivity,35℃,W/(m·K) no more than |
0.050 |
||
Dimensional stability(23±2)℃,48,h no more than |
5 |
||
Operating temperature |
-10~+35℃ |
||
Optimum operating temperature |
+18~+25℃ |
||
Temperature range(After curing) |
-35~+80℃ |
||
Tensile bond strength kPa Not less |
Aluminum plate |
Standard condition,7d |
80 |
Immersion,7d |
60 |
||
PVC plate |
Standard condition,7d |
80 |
|
Immersion,7d |
60 |
||
Cement Plate |
Standard condition,7d |
60 |
|
Shear strength,kpa,Not less |
80 |
||
Foam expansion ratio,Not less |
Standard value-10 |
Certification
JC 936-2004
Color
White
Package
750ml in Bottle * 12 per box
Shelf life
12 months
Note
If you want the TDS or MSDS or other details, please contact with our sales person.
Part 2 of making puppet heads – this one requires sculpting in clay, making a plaster mould, then casting in silicone rubber. The sculpting and mouldmaking are the same for casting in any flexible material like foam latex or urethane.
Doing this in front of a time lapse camera is difficult, and I will probably have to cast the head again and do a proper job, but this gives an overview of the process. Like my other tutorials it’s really fast, so you will probably need to watch it more than once, and resort to the pause button to read all the captions. Sorry! But at 5 minutes long it’s taking over 2 hours to upload. But check out my friend Ron’s tutorial on making a mould for a puppet body at his AnimatorIsomer channel if you want the slow detailed approach – 3 parts totalling half an hour just to cover making the mould. Stop Motion Magazine has some good tutorials on puppetmaking too.
This head is made for use with build-up bodies which I covered in another tutorial – in fact, at the end i put it on the same body I showed being made. (Some viewers of my other tutorials may recognise the thing that appears behind the finished puppet – I wanted a tentacle but I didn’t have one.)
A full body, all-silicone puppet will take another tutorial, and I’m still getting on top of the challenges with silicone – mostly I’ve used foam latex for casting full puppets. But a head is a good place to start, they are easier!
Thanks to composer Brian Boyko who made this music – “Dragonfly” – available copyright free at the public domain site FreePD.