27 Years Factory SV-8800 Silicone Sealant for Insulating Glass to Congo Manufacturers

27 Years Factory SV-8800 Silicone Sealant for Insulating Glass to Congo Manufacturers
  • 27 Years Factory SV-8800 Silicone Sealant for Insulating Glass to Congo Manufacturers27 Years Factory SV-8800 Silicone Sealant for Insulating Glass to Congo Manufacturers
  • 27 Years Factory SV-8800 Silicone Sealant for Insulating Glass to Congo Manufacturers27 Years Factory SV-8800 Silicone Sealant for Insulating Glass to Congo Manufacturers
  • 27 Years Factory SV-8800 Silicone Sealant for Insulating Glass to Congo Manufacturers27 Years Factory SV-8800 Silicone Sealant for Insulating Glass to Congo Manufacturers

Short Description:

Description SV-8800 is two components, high modulus; neutral curing silicone sealant specifically developed for assembly of high performance insulated glass units as secondary sealing material.   Where to use It is a two-component silicone that offers variable work life with high bonding strength to maintain the integrity of insulating glass unit, suits both commercial and residential IGU.   Key Features 1. High Modulus 2. UV resistance 3. Low vapor and gas transmission 4. Primerless adhesion...


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As for competitive prices, we believe that you will be searching far and wide for anything that can beat us. We can state with absolute certainty that for such quality at such prices we are the lowest around for 27 Years Factory SV-8800 Silicone Sealant for Insulating Glass to Congo Manufacturers, We are also constantly looking to establish relationship with new suppliers to provide innovative and smart solution to our valued customers.


Description

SV-8800 is two components, high modulus; neutral curing silicone sealant specifically developed for assembly of high performance insulated glass units as secondary sealing material.

 

Where to use

It is a two-component silicone that offers variable work life with high bonding strength to maintain the integrity of insulating glass unit, suits both commercial and residential IGU.

 

Key Features

1. High Modulus

2. UV resistance

3. Low vapor and gas transmission

4. Primerless adhesion to coated glass

5. 100% compatible to SV-8890

 

Technical data sheet

Test standard Test project Unit value
Before curing——25℃,50%R.H.
GB13477 Specific gravity(After mixing)   1.33
GB13477 Operating time min 20-40
GB13477 surface drying time(25℃,50%R.H.) min 80-188
corrosivity     No
7 days after curing——25℃,50%R.H.
GB/T 531 Durometer Hardness Shore A 40
GB13477 The tensile modulus at 12.5% elongation Mpa 0.18
  The ultimate tensile strength Mpa 0.92
GB13477 Elongation limit (fracture) % 150

 

Certification

GB-24266-2009;

 

Color

Component A(Base) – White, Component B(Catalyst)- Black

 

Package

1. Component A(Base): (190L), Component B(Catalyst) (18.5L)

2. Component A(Base):24.5kg (18L), Component B(Catalyst): 1.9kg (1.8L)

 

Shelf life

12 months

 

Note

If you want the TDS or MSDS or other details, please contact with our sales person.

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  • Part 2 of making puppet heads – this one requires sculpting in clay, making a plaster mould, then casting in silicone rubber. The sculpting and mouldmaking are the same for casting in any flexible material like foam latex or urethane.

    Doing this in front of a time lapse camera is difficult, and I will probably have to cast the head again and do a proper job, but this gives an overview of the process. Like my other tutorials it’s really fast, so you will probably need to watch it more than once, and resort to the pause button to read all the captions. Sorry! But at 5 minutes long it’s taking over 2 hours to upload. But check out my friend Ron’s tutorial on making a mould for a puppet body at his AnimatorIsomer channel if you want the slow detailed approach – 3 parts totalling half an hour just to cover making the mould. Stop Motion Magazine has some good tutorials on puppetmaking too.
    This head is made for use with build-up bodies which I covered in another tutorial – in fact, at the end i put it on the same body I showed being made. (Some viewers of my other tutorials may recognise the thing that appears behind the finished puppet – I wanted a tentacle but I didn’t have one.)

    A full body, all-silicone puppet will take another tutorial, and I’m still getting on top of the challenges with silicone – mostly I’ve used foam latex for casting full puppets. But a head is a good place to start, they are easier!

    Thanks to composer Brian Boyko who made this music – “Dragonfly” – available copyright free at the public domain site FreePD.



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